Index

PARTE Summit is an international event that brings together some of the most prominent thinkers in the contemporary art field. It convenes different knowledge and people interested in following artistic practices in relation to the transformation of territories and societies.&nbsp;The program includes lectures, round table discussions, and performances in response to questions previously raised by the invited curators. Based on these questions, multidisciplinary panels bring together artists, authors, and other thinkers to rehearse answers or give continuity to common questions.&nbsp;PARTE Summit'22 took place on two consecutive Saturdays and in two full-day sessions in different regions of the country, on July 30, at Convento São Francisco in Coimbra, and August 6, 2022, at Cineteatro Louletano in Loulé.

International event that brings together some of the most prominent thinkers in the contemporary art field

PARTE Summit '22

Abaseh Mirvali&nbsp;is a Curator and Cultural Project Producer with a career-long commitment to civic engagement and public service through innovative collaborations between contemporary art initiatives and the community at large. Between 2018 and 2020, Mirvali served as Executive Director, Chief Curator, and CEO at Museum of Contemporary Art Santa Barbara (MCASB), in California, USA, where she established a world-class level exhibition program, accompanied by substantive and innovative education and engagement initiatives. Mirvali is the author of the concept and program development of the 2013 edition of The Biennial of the Americas, where she served as CEO, Executive Director, and Comisaria from 2011 to 2013. She was the Chief Curator of Draft Urbanism, an innovative and groundbreaking exhibition of urban architectural interventions. Between 2005 and 2009, Mirvali was the Executive Director of the Colección/Fundación Jumex Arte Contemporáneo, where she consolidated and developed one of the most distinguished collections of contemporary art for a private institution in Latin America.

Abaseh Mirvali

Andrea Lissoni, PhD, is since 2020 the Artistic Director of Haus der Kunst, Munich. Formerly Senior Curator, International Art (Film) at Tate Modern, London, and curator at HangarBicocca, Milan. At Tate he launched and co-curated new exhibition formats, as the 2017 and 2018 Live Exhibition, the collection display and the live programme at the opening of the new building in 2016, and curated Philippe Parreno’s Turbine Hall Commission 2016, and survey exhibitions of artists Joan Jonas and Bruce Nauman. His research concerns liveness, cinematic aspects in time-based artworks, the perception of time and forms of transmitting, sharing and engaging in contemporary arts. He explores these through trans-disciplinary approaches to exhibition-making, focusing on artistic contexts across non-dominant cultures and subcultures, among which, music and sound in particular.

Andrea Lissoni

Bruna Roccasalva is Artistic Director of Fondazione Furla. At Fondazione Furla, she &nbsp;curated a series of exhibitions organized in collaboration with Italy’s foremost art institutions:&nbsp;Nairy Baghramian. Misfit,&nbsp;(2021) with GAM-Galleria d’Arte Moderna, Milan (2021);&nbsp;Haegue Yang: Tightrope Walking and Its Wordless Shadow with La Triennale, Milan (2018); and the performance-based program&nbsp;Time after Time, Space after Space&nbsp;(2017-2018) with the Museo del Novecento, Milan. She was Editor in Chief of L'Officiel Art magazine (2016-2019) and Editor of Peep-Hole Sheet (2009-2016). Prior to joining Fondazione Furla in 2016, she was Founding Director and Curator of Peep-Hole Art Center, an independent contemporary art center in Milan, which she co-founded in 2009. At Peep-Hole she co-curated solo exhibitions of artists and she&nbsp;developed projects in partnership with several institutions, such as Kunsthalle Zürich, the Contemporary Art Center, Vilnius, CAC Centre d’Art Contemporain, Brétigny, Portikus, Frankfurt, Kunst Halle Sankt Gallen, FRAC Champagne Ardenne, Reims and CAG, Vancouver. She was Head of Publications at Mousse Publishing (2010-2011) and Associate Curator at GAMeC – Galleria d’Arte Moderna e Contemporanea di Bergamo (2003-2009), where she collaborated on solo and group exhibitions and worked on several publications, such as monographs by Alighiero Boetti and Giulio Paolini. She taught History of Contemporary Art at the IED-Istituto Europeo di Design in Milan (2006).&nbsp;

Bruna Roccasalva

Clara Kim is The Daskalopoulos Senior Curator, International Art at Tate Modern where she is responsible for the research, acquisition and interpretation of art from Africa, Asia &amp; Middle East. Her work at Tate aims to build new narratives, historiographies and curatorial methodologies on postwar art histories that chart transnational/transcultural connections and explore socio-political conditions shaped by postcolonialism and geopolitical order to challenge canonical readings. She also sits on the Steering Committee of the Hyundai Tate Research Center: Transnational. Recent curatorial projects at Tate Modern include a survey of artist/filmmaker Steve McQueen (2020); 2019 Hyundai commission Kara Walker: Fons Americanus in the Turbine Hall; and A Year in Art: 1973 Chile. She was co-convenor of the conference Axis of Solidarity: Landmarks, Platforms, Futures (February 2019) reflecting on the global solidarity movements that emerged during processes of decolonization, organized with Cornell University’s Institute of Comparative Modernities and Sharjah Art Foundation. In March 2021, she co-convened Crucibles, Vectors, Catalysts: Envisioning the Modern City, with the Liverpool School of Architecture. Outside of Tate, Kim curated Imagined Nations/Modern Utopias for the 2018 Gwangju Biennale and Condemned to be Modern for the Getty Foundation’s city-wide initiative Pacific Standard Time in Los Angeles in 2017. Kim has held multiple curatorial positions over the last two decades including as Senior Curator of Visual Arts at the Walker Art Center (Minneapolis); Gallery Director &amp; Curator at REDCAT/CalArts (Los Angeles), and Senior Researcher at the Asian Cultural Complex (Gwangju, South Korea). She studied art history at the University of California, Berkeley and at the University of Chicago.

Clara Kim

Daniel&nbsp;Baumann is a Swiss art historian (lic. ès lettres, Université de Genève), curator, and critic. He&nbsp;served as curator from 1996 to 2014 of the Adolf Wölfli Foundation, Museum of Fine Arts Bern, Switzerland. In 1997, he curated Martin Kippenberger. Respektive at Mamco in Geneva. He was the curator of&nbsp;Kunsttangente, a public art project in Basel, Switzerland (2003-2010),&nbsp;and curated, in 2003,&nbsp;Junge Szene&nbsp;at Secession in Vienna. In 2004, he started an exhibition series in Tbilisi, Georgia (until 2009/2016). In 2009, he curated Fantastic Tavern: The Tbilisi Avant-Garde at Casey Kaplan Gallery in New York (in collaboration with Nana Kipiani).&nbsp;From 2008 to 2013, Baumann ran the Basel exhibition space&nbsp;New&nbsp;Jerseyy&nbsp;together with Tobias Madison, Emanuel Rossetti, and Dan Solbach. He was the curator of the&nbsp;2013 Carnegie International&nbsp;at Carnegie Museum of Art,&nbsp;Pittsburgh, along with Dan Byers and Tina Kukielski. He is a contributor to magazines such as&nbsp;artforum,&nbsp;Frieze,&nbsp;Piktogram,&nbsp;Spike, et al.&nbsp;Daniel&nbsp;Baumann&nbsp;is the Director of Kunsthalle Zürich, Switzerland, since 2015.

Daniel Baumann

CreditsImage: © Galeria 111

Galeria 111

Hendrik Folkerts is Curator of International Contemporary Art at the Moderna Museet, Stockholm. Folkerts previously was Dittmer Curator of Modern and Contemporary Art at the Art Institute of Chicago (2017-2022); Curator at documenta 14, Kassel/Athens (2014-2017); Curator of Performance, Film, and Discursive Programs at the Stedelijk Museum, Amsterdam (2010-2015); and Coordinator of the Curatorial Program at De Appel arts centre, Amsterdam (2009-2011). Folkerts specializes in commissioning and an artist-centered curatorial approach that highlights notions of care, hospitality, and process-based exhibition-making. He has curated numerous solo and international group exhibitions as well as collection presentations, new commissions, and program series, anchored in the expanded field of performance and building on feminist, queer, and anti-colonial histories of art.

Hendrik Folkerts

Kasia Redzisz is Artistic Director at Kanal - Centre Pompidou in Brussels. Prior to joining Kanal she served as Senior Curator at Tate Liverpool, where she was responsible for the programme and international collaborations. Between 2008 and 2015 she worked as curator at Tate Modern. At the same time, between 2008 and 2015 she was Director of Open Art Projects, an organisation dedicated to innovative art commissions. Her independent work includes many interdisciplinary projects, most recently the inaugural exhibition of Muzeum Susch (2019) and the fourth edition of the Art Encounters Biennial (2021). She is an author of books, editor of exhibition catalogues and contributor to magazines such as Frieze, Mousse and Tate Etc. Redzisz’s curatorial practice reflects her commitment to equality, experimentation and to establishing transnational dialogues between artistic practices stemming from diverse geographies.

Kasia Redzisz

Neringa Bumblienė is Curator at the Contemporary Art Centre (CAC) in Vilnius, Lithuania, since 2014. She has respectively graduated from the Vilnius Academy of Arts with a Master’s degree in Curatorial Studies, and from the curatorial school École du Magasin in Grenoble, France. Throughout her career, she has worked on numerous contemporary art projects from large-scale international group exhibitions, such as Head with Many Thoughts (2020) and Baltic Triennial 13. Give Up the Ghost (2017-2018) to solo presentations of established and emerging artists. Her recent curatorial projects include the following solo exhibitions: The Board by Robertas Narkus at the gallery Vartai in Vilnius (2020); Return by Michael Rakowitz (2020), Tactics &amp; Techniques by Alejandro Cesarco (2019), Phantom by Daniel Steegmann Mangrané (2018), and The Light is no Brighter at the Centre by Liam Gillick (2017), the latter four at the CAC in Vilnius. She is the Curator of the Pavilion of Lithuania at the 59th International Art Exhibition – La Biennale di Venezia with the project Gut Feeling by Robertas Narkus (2022) and the Artistic Director of the 1st Vilnius Biennial for Performance Art to be held in 2023.

Neringa Bumblienė

Philippe-Alain Michaud is Curator at the Musée National d’Art Moderne – Centre Pompidou in charge of the collection of films. He is the author of Aby Warburg and the Image in Motion (Zone Books, 2002 and Macula 2012), Le peuple des images (Desclée de Brouwer, 2004), Sur le film (Macula, 2016), Âmes primitives. Figures de film, de peluche et de papier (Macula, 2019) and has written extensively on the relations between film and visual arts. He has curated a number of exhibitions among which include: Comme le rêve le dessin (Musée du Louvre / Centre Pompidou, 2004), Le mouvement des images (Centre Pompidou, 2006), Nuits électriques (Musée de la photographie, Moscou and Laboral, Gijón, Spain, 2007), Tapis volants (Villa Médici, Rome and Les Abattoirs, Toulouse, 2010), Images sans fin, Brancusi photographie, film (Centre Pompidou, 2012), Beat Generation (Centre Pompidou, 2016), L’œil extatique – Serguei Eisenstein à la croisée des arts (Centre Pompidou-Metz, 2019).

Philippe-Alain Michaud

Sofía Hernández Chong Cuy is the Director at the Kunstituut Melly in Rotterdam, The Netherlands. Prior to that, she was the Curator of Contemporary Art at Colección Patricia Phelps de Cisneros in Caracas and New York from 2011 to 2017. In 2016-2017, she was also Guest Curator at the Bronx Museum of the Arts in New York. In 2013, Sofía Hernández Chong Cuy was Artistic Director and Chief Curator of the 9a Bienal do Mercosul | Porto Alegre in Brazil. Before, she was an agent of dOCUMENTA(13) in Kassel. In the past, Sofía Hernández Chong Cuy has been Director of Museo Tamayo in Mexico City and held curatorial positions in New York at Art in General and Americas Society. She is also a counselor for Fundación Alumnos47 in Mexico City, and is a board member of Creative Time in New York.

Sofía Hernández Chong Cuy

Vincenzo de Bellis is Curator and Associate Director of Programs, Visual Arts, at the Walker Art Center, Minneapolis. He is currently working on the major Jannis Kounellis' retrospective titled Jannis Kounellis in Six Acts (2022) organized by the Walker Art Center and Museo Jumex, Mexico City. During his tenure at the Walker he has organized several exhibitions such as the group show The Paradox of Stillness: Art, Object, and Performance (2021); the first US museum survey of the Mexican artist Mario García Torres, Illusion Brought Me Here (2018); the first museum survey of Nairy Baghramian, Déformation Professionnelle (2017); and the group show I Am You, You Are Too (2017). He also oversaw the Walker’s presentation of Jimmie Durham: At the Center of the World (2017). In 2015 he curated Ennesima: An Exhibition of Seven Exhibitions on Italian Art at the Triennale di Milano and Betty Woodman’s survey at Museo Marino Marini, Florence, and Institute of Contemporary Arts, London. From 2009 to 2016 de Bellis was Founding Director and Curator at Peep-Hole Art Center in Milan and from 2012 to 2016 he was also Artistic Director of Miart, Milan International Fair of Modern and Contemporary Art.

Vincenzo de Bellis

Dr Zoé Whitley is Director of Chisenhale Gallery in London, UK whose recent programme includes new commissions by Rindon Johnson and Rachel Jones. Exhibitions to her credit include co-curating Elijah Pierce's America (Barnes Foundation, 2020), curating the British Pavilion (Venice Biennale 2019) and co-curating the award-winning international touring exhibition Soul of a Nation: Art in the Age of Black Power. She writes widely on contemporary artists, most recently on Suki Seokyoung Kang, Kehinde Wiley, and Faith Ringgold. Zoé is a trustee of Creative Access and Decolonising Arts Institute. She serves on the 2020-22 Arts Council Collection Committee and the Mayor's Commission on Diversity in the Public Realm. Her prior roles include Senior Curator (Hayward Gallery); Curator, International Art (Tate Modern) and Curator of Contemporary Programmes (V&amp;A).

Zoé Whitley

Curador Convidado

Guest Curator

Isabel Carlos is curator and art critic. Isabel Carlos has held several prominent positions, including advisor for the exhibition area of Lisboa'94 - European Capital of Culture. She was co-founder and sub-director of the Institute of Contemporary Art, under the Ministry of Culture (1996-2001), having organized, among other activities, the Portuguese representations at the Venice Biennale (2001) and the São Paulo Biennale (1996 and 1998). She was a member of the juries of the Venice Biennale (2003) and the Turner Prize (2010), among others, and artistic director of the Sydney Biennale (2004), curator of the Portuguese Pavilion at the Venice Biennale (2005) and the 9th Sharjah Biennale, United Arab Emirates (2009). She was also director of CAM - Calouste Gulbenkian Foundation from 2009 to 2015.

Isabel Carlos

Vicente Todolí was the Founding Director of the Serralves Museum of Contemporary Art, after having directed the Valencian Institute of Modern Art. Vicente Todolí was later Artistic Director of the Tate Modern in London, a position he currently holds at the Hangar Bicocca, the Pirelli Foundation Art Center in Milan. He is jury and consultant in several collections, institutions, biennials and contemporary art events, including the Museum of Contemporary Art in Barcelona, the Merz Foundation, the Botin Foundation, Kaldor Public Art Projects, the Parasol Unit, the Dali Foundation, among others. He is Chevalier de Arts et des Letres and consecrated with the Order of Santiago de la Espada.

Vicente Todolí

Curador Anfitrião

Host Curator

CreditsImage: © Banco das Artes Galeria (CML)

Banco das Artes Galeria (CML)

CreditsImage: © Carmo Oliveira

Brotéria

CAPC Sede

CreditsImage: © CAPC Sereia

CAPC Sereia

CreditsImage: © Fernando Guerra FG+SG

Casa do Cinema Manoel de Oliveira

CreditsImage: © Fidelidade Arte

Fidelidade Arte

CreditsImage: © Fórum Arte Braga

Fórum Arte Braga

CreditsImage: © António Jorge Silva

Fundação Carmona e Costa

CreditsImage: © Manuel V Botelho

Fundação Júlio Resende – Lugar do Desenho

CreditsImage: © João Biscainho

Fundação Leal Rios

CreditsImage: &nbsp;© Galeria de Arte do Convento do Espírito Santo

Galeria de Arte do Convento do Espírito Santo

CreditsImage: © Galeria Millennium BCP

Galeria Millennium BCP

Galeria Municipal de Arte de Almada

CreditsImage: © Galeria Municipal do Montijo

Galeria Municipal do Montijo

Credits&nbsp;Image: © Dinis Santos

Galeria Municipal do Porto

CreditsImage: © Hugo Santos Silva

Galerias Municipais de Lisboa | Galeria Avenida da Índia

Galerias Municipais de Lisboa | Galeria da Boavista

CreditsImage: © José Frade

Galerias Municipais de Lisboa | Galeria Quadrum

Galerias Municipais de Lisboa | Pavilhão Branco

Galerias Municipais de Lisboa | Torreão Nascente da Cordoaria Nacional

Credits&nbsp;Image: © Ricardo Oliveira Alves

Museu Calouste Gulbenkian | CAM Centro de Arte Moderna 

CreditsImage: © António Alves

Museu da Cidade do Porto – Gabinete do Desenho

Museu da Cidade do Porto – Gabinete do Som

Museu da Cidade do Porto – Gabinete Gráfico

CreditsImage: © Museu Leopoldo de Almeida

Museu Leopoldo de Almeida

CreditsImage: © Núcleo de Arte Contemporânea

Núcleo de Arte Contemporânea

CreditsImage: © Paços Galeria Municipal

Paços Galeria Municipal

CreditsImage: © Parque de Escultura Contemporânea de Almourol

Parque de Escultura Contemporânea de Almourol

Credits&nbsp;Image: © Quinta da Cruz – Centro de Arte Contemporânea

Quinta da Cruz – Centro de Arte Contemporânea

CreditsImage: © SNBA – Sociedade Nacional das Belas Artes

SNBA – Sociedade Nacional das Belas Artes

Instituição cultural

Cultural institution

Panel

Curadora Anfitriã

Curadora Convidada

CreditsImage: © Artemis Gallery

Artemis Gallery

CreditsImage: © Brisa Galeria

Brisa Galeria

CreditsImage: © Cristina Guerra Contemporary Art

Cristina Guerra Contemporary Art

CreditsImage: © Cruzes Canhoto

Cruzes Canhoto

CreditsImage: © Galeria 3+1 Arte Contemporânea

Galeria 3+1 Arte Contemporânea

CreditsImage: © Galeria Balcony

Galeria Balcony

CreditsImage: © Galeria Belo-Galsterer

Galeria Belo-Galsterer

CreditsImage: © Galeria Bruno Múrias

Galeria Bruno Múrias

CreditsImage: © Galeria Carlos Carvalho

Galeria Carlos Carvalho

CreditsImage: © Galeria Cisterna

Galeria Cisterna

CreditsImage: © Galeria das Salgadeiras

Galeria das Salgadeiras

CreditsImage: © Galeria Duarte Sequeira

Galeria Duarte Sequeira

CreditsImage: © Galeria Fernando Santos

Galeria Fernando Santos

CreditsImage: © Galeria Filomena Soares

Galeria Filomena Soares

CreditsImage: © Galeria FOCO

Galeria FOCO

CreditsImage: © Mariana Lopes

Galeria Fonseca Macedo

CreditsImage: © Galeria Francisco Fino

Galeria Francisco Fino

CreditsImage: © Galeria Graça Brandão

Galeria Graça Brandão

CreditsImage: © Galeria Madragoa

Index

A Maior

A Sede Amarela

Abaseh Mirvali

AIR351

Ana Cristina Cachola

Andrea Lissoni

Anozero Bienal de Arte Contemporânea de Coimbra

Appleton Associação Cultural

Arquipélago – Centro de Artes Contemporâneas

Artadentro Associação

Artemis Gallery

Artist Project

Artist's Project

Associação 289

Atelier-Museu Júlio Pomar

Banco das Artes Galeria (CML)

Belo Campo

Bienal de Cerveira

Birra

BoCA Bienal

Brisa Galeria

Brotéria

Bruna Roccasalva

CADA

CAPC Sede